
I know of Cab Calloway for the marvellous “Minnie the Moocher”, his towering contribution to early 20th century music that combined scat, coded social commentary and call-and-response delivered in an obese and luxurious jive jazz style. It is primarily for this number that he is remembered but he was also responsible for several other gems before, during and after his famous residency at Harlem’s Cotton Club where Minnie was premiered in … [Read more...]







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