He Lives Like a Pharaoh

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I am not much of a fan of television. Most of it is weak, immature entertainment inspired by the very worst elements in society. However, sometimes the formula works exceedingly well and the effect is powerful and enduring.

I approached Boardwalk Empire with caution, as it had been much hyped and ballyhooed; whenever I buy into hype, I am invariably disappointed. However, even allowing for a dash of hype, I have been thoroughly impressed with the series. American readers may glance at their calendars and wonder why it has taken so long for me to say this, as the series first hit screens stateside two years ago, but little old England is well behind with HBO releases.

The most remarkable thing about the costumes is not just how accurate they are to the period – people who think Prohibition gangsters wore shiny white ties and black shirts, take note – but also how vivid and beautiful they are. The most delicious ensembles belong to Steve Buscemi’s character, Nucky Thompson who epitomises the sort of mythical powermonger who dines at the same table as politicians and hoodlums, who lives in luxury hotels and exudes an air of isolation and quiet sadness; the life, as described by a federal agent, of “…a pharaoh. The entire eighth floor of the Ritz, all at the public’s expense. Grand furniture, oil paintings, tailored suits, drives a Rolls-Royce too. At least his chauffeur does. He’s as corrupt as the day is long.”

Corrupt he might be but he contributes, along with a superb supporting cast, to a gorgeous piece of television. If anything, the cast is too well-dressed; the colour combinations, though certainly feasible for the period, are too perfect. John A. Dunn, who brought slim ties and thin lapels back into fashion through Mad Men, has achieved for 1920s what he achieved for the 1960s; a stunning interpretation of period glamour that turns what were everyday fashions for ordinary men into dandified ensembles of style mavens. Am I disappointed? Not a bit, but it is difficult to admire the glory of the costumes without reserving a thought for the real life characters that inspired it.

As the sartorial highlight, Nucky’s costumes work hard for their screen time; beautiful heavy-weight suits in unusual colours, sometimes with garish colouring – Nucky is certainly a bit of a ‘dude’ in that respect – pin-collar shirts with contrasting collar and cuffs in a surprising array of colours (even yellow and orange make an appearance) and a mixture of subtly patterned and bolder ties in bright blues, greens, reds and yellows. Indeed, I would not be surprised if Mr Dunn credited a vintage candy store for some of the ensembles on display. Nucky’s finishing touch is a ubiquitous red carnation that he wears pinned against his lapel, rather than tucked through his buttonhole; an idiosyncrasy that lends charm to his character.

If there was a tonic against the plain-tie, white-shirt, dark suit monotony that has taken over, I believe we have found it.


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Winston Chesterfield is an amateur composer, fashion blogger, trained lawyer and style aficionado. He lives in Westminster, London and blogs at www.levraiwinston.com.

Comments

  1. gary says:

    these are edwardian fashions, capone didnt dress like this so you are wrong

  2. Gary,

    I don’t know who you are. I don’t particularly care. But all the comments that you have fed to this site have been negative, critical of the content or the interpretation. Therefore, I feel it necessary to contradict you on at least one occasion. I quite clearly state:

    “a stunning interpretation of period glamour that turns what were everyday fashions for ordinary men into dandified ensembles of style mavens.”

    These were everyday fashions. The pin collar was high-fashion in the early twenties, as was the cut of suit and the ties. In no part of this article did I state; “Capone definitely dressed like this.”

    Also, you will find that the period in which the series is set is very early in Capone’s ‘career.’ These are post-Edwardian fashions, and men dressed like this well into the mid-twenties, particularly those with money.

    Capone himself was an up-and-coming gangster in this series, dressed in a simple suit and newspaper-boy cap; there are very few photographs of Capone in his youth, but considering the fashions of the time, it is highly probable that as a young man, he dressed in this way.

    The style of Nucky Thompson, though slightly exaggerated in terms of colouring, is based very strongly on the style of Nucky Johnson – the real life inspiration for the character. He even wore a red carnation in exactly the same way.

    Winston Chesterfield

  3. Turling says:

    Mr. Chesterfield,

    Nice article and nice response, as well, even to a comment that not only made little sense but really didn’t warrant a comment.