The Galosh: A Traditional, Modern, City Shoe

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Those with a passion for shoes often develop a love of browns in various hues – tan, chocolate, chestnut, oak. They also search for unusual colours and textures – red (oxblood) and green (olive), cordovan and crocodile.

Black calf can just seem so dull. Particularly if this lover of shoes works in an office, or has done in the past. Black leather Oxfords may well be associated with the dull, conservative middle management of such offices (men who probably have one pair of shoes they beat into the ground every day of the year, and then complain when they fall apart).

The shoe lovers are, of course, wrong. Black calf can be very exciting, as hopefully illustrated by my recent post on George Cleverley bespoke (my ‘dead man’s shoes’, as one colleague wittily calls them).

But there’s nothing to be done about associations. Only so much of style and taste is rational.

So for those who find black leather shoes boring, but probably need at least one pair for formal work occasions, not to mention funerals and black tie, I recommend a black suede/calf galosh shoe.

From the turn of the century until the 1940s, much of man’s formal footwear was of this type. A fairly normal looking black oxford or slip-on in the bottom half, but a grey suede or cloth boot in the upper half. The suede, often buttoned across the foot, would make a shoe generally more flexible and instantly comfortable. The higher rise would also protect the foot and ankle from fairly muddy streets.

The illustration from John Lobb bespoke shows variations on this boot. These are lace-ups rather than buttons. In the early days, the top halves would actually be separate spats in linen or boxcloth.

Will over at A Suitable Wardrobe commissioned Gaziano & Girling to make a modern equivalent, dropping the boot height of the shoes and just making the upper half of a normal Oxford in grey suede. While I like this look, it is a little too showy for what I had in mind. Instead, I would recommend to you the Gaziano & Girling Kent design itself, as seen on the firm’s website and shown here.

The black suede is unusual but not instantly obvious. It is subtle yet sophisticated, a throw-back to traditional menswear with a modern application.

Most bespoke shoemakers will make you something of this type, with the top of the galosh either contrasting calf or suede. But the best ready-to-wear options are probably G&G or Pierre Corthay – any eagle-eyed readers will notice that my Corthays are of this type (the Wilfrid) but in tan. They also come in black.

That’s the traditional, modern, city shoe.


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Simon Crompton is a journalist and a style enthusiast living in London, who blogs at permanentstyle.blogspot.com. He has too many suits.